Natives
Following a moving encounter with Native American culture in 1992, I have continuously explored it, trying to better understand it and to share it’s beauty and richness with others by making documentaries, a webdoc, social networks…
I created the association Plumes & Regards to help publicize the battles of autochtone people, who by their voices claim loud and strong: “if nobody fights to preserve our mother-earth, who will do it ?”
Within Native American communities, I find values already familiar to me, as many are present in the Vietnamiese culture I experienced with my maternal grandfather: respect for the elders and their knowledge, sense of community, link to nature.
Indians Like Us
Documentary, 56′ – 2013 – broadcast on PBS, Planet+
A group of French Indian hobbyists follow their dream to go and meet “real” Native Americans in the American Midwest. Filled with unforeseen emotion, this road movie presents great encounters on both sides, in the historical places of Native America: Pine Ridge, Wounded Knee, Little Big Horn.
Synopsis -Indians Like Us
SUMMARY:
A group of French Indian hobbyists follow their dream to go and meet “real” Native Americans in the American Midwest. Filled with unforeseen emotion, this road movie presents great encounters on both sides, in the historical places of Native America: Pine Ridge, Wounded Knee, Little Big Horn.
SYNOPSIS VA
A group of French people, fascinated by American-Indian culture, decides to travel to the United States to meet « real indians ».
Dressed as Indians, singing and dancing like Indians, one could mistake them for an authentic Indian tribe. Yet Alain, Pascal, Patrick, Claudine and the others are all French born. Indian culture is their passion. A sincere and intense passion which they fed from reading books and seeing films.
After a particularly successful show in a French village, they decide to go and fullfill their dream: this summer, they will travel overseas to meet some « real American-Indians » !
This film follows their adventure.
In 3 Winnebagos they travel many miles to visit Indian reservations and a powwow from Colorado to Wyoming to North Dakota.
The encounter of a French « Indian dream », coming straight from the childhood memories, with a modern American-Indian reality generates a series of exchanges and reflexions around indianity.
Who will be most affected by this most unlikely encounter ? Will it be the American-Indians, who live the reality of Indianity in today’s America or the French, with their romantic notion of indianity ?
Fiche info - Des indiens comme nous
Technical crew :
Director : Sylvie V. JACQUEMIN
Producer: Sylvie GAUTIER (CAMERA LUCIDA PRODUCTIONS, PARIS)
Image & Sound : Sylvie V. JACQUEMIN
Editor : Sylvie DEMAINE
Music by: Lorin HART, Cody BLACKBIRD, Shanan MARTINEAU, Randy WOOD.
Featuring:
Association SAVY WESTERN
Association EQUIS’CAD
Dennis YELLOW THUNDER
Perry & Lloydell “Suzy” MESTETH
Steve DRIVER & Aurelia WILSON
Nora OLDMAN
Marie & Richard SCOTT
Screenings & Awards
Ce film documentaire a obtenu de nombreux prix et sélections dans des festivals internationaux. Il est actuellement diffusé sur le réseau de la télévision publique américaine (PBS).
This documentary has been awarded prizes and was selected in international festivals, including several ethnological festivals. (http://www.indianslikeus.com/index.php/en/festivals-en)
It is actually being distributed in USA and Canada by Vision Maker (http://www.visionmakermedia.org/films/indians-us)
Screenings
The film is available for schools, libraries, associations, etc… for screenings and discussions.
Skype discussions possible also.
Official Website : http://www.indianslikeus.com/
Red Apple Inside Out
Documentary, 56′
A summer on the Powwow trail in the United States with an atypical Native American family ; LaVan MARTINEAU, a white orphan adopted as a child by an elder of the Paiute tribe, teaches his daughters to save the traces of a rare and fragile culture, he chose to embody.
Synopsis - Red Apple Inside Out
Raised by a Paiute tribe after his father’s death, LaVan develops a strong respect for his family of adoption and dedicates his whole life to preserving their culture. Totally autodidact and on his own modest finances, he spends forty years of his life gathering over 20,000 photos and sketches of the Indian petroglyphs (2) in North America and writes several books deciphering them. Married twice to full-blood Indians, he raised his five daughters in the Paiute tradition. We see the whole family in their journey all across America going from one reservation to another. They meet other tribes, tirelessly folding and unfolding their huge tepee, gathering precious information from the tribe elders, and carefully recording all the elements that define and identify the Indian tribes.
We accompany LaVan and his daughters on what will become his last powwow (3) circuit, alternating the intimacy and the quiet rhythm of the traveling with the excitement and impressive activity of the powwow. As the viewers share LaVan’s life story, we witness moments with members of his family and with his extended Indian family, the other powwow participants. The story reveals several conflicts and paradoxes around an important question: the question of “Indianness”. (The word Indians use to describe their cultural heritage). Today the federal government recognizes that to be Indian, one needs to prove only a quarter Indian ancestry and sometimes less. Tribes are mixed extensively between each other but also with European and African descendants. More and more people identify and claim their Indian ancestry today.
As the viewer is transported into the intricate world of Indianness, we see that Indians, or Natives as the new generation likes to be called, still have many battles to fight to preserve their fragile identity and survive. LaVan takes an active part in the battle. He and his daughters have become familiar figures on the powwow grounds, encouraging others to cultivate and preserve their precious heritage. He represents the struggle of today’s generation being at once a precursor and a guardian of tradition, all of which is embodied in his life’s work and message.
The film “Red Apple Inside Out “ communicates a new definition of Indianness and explains that belonging is not merely a question of blood or outward appearance but rather one of upbringing, culture, and most of all, of the heart.
(1) Red Apple : nickname given in indian reservations to native american who have lost their native culture : like an apple, they are considered being “red” only on the outside and “white” on the inside.
(2) Petroglyphs : Ancient Indian drawings on rocks, telling war stories.
(3) Powwow : Every summer in North America powwows gather Indians from many different clans and tribes. Over three days they face each other in spectacular song and dance contests led by the heartbeat of the drum. These meetings are the modern interpretation of traditional, social and religious ceremonies. For about forty years powwow trails have appeared on the map of the American nation, followed every year by a growing number of contestants dressed in ever more elaborate and colorful costumes.
Fiche info - Red Apple Inside Out
Technical infos:
Directed and filmed by : Sylvie JACQUEMIN
Edited by : Sylvie Demaine & Sylvie Jacquemin
Music by Benoit Jarlan
Auto-production & Co-production US : Envision, Florida, USA (Alana Rothlein)
Filmed in United States, summer 1998
Format : Mini DV PAL
More:
Shanan’s website about her father LaVan Martineau’s work : http://www.lavanmartineau.com/books
7 ‘ of excerpts around the drum with singer & drummer Randy Wood, (co-founder and ex member of Northern Cree Drum Group, from Canada):
A Paiute Woman
Documentary project, 45’/52′ (in progress)
Shanan, a Paiute Indian woman in Southern Utah is fighting for the survival of her culture and the trampled rights of her Tribe .
When the sacred and historic lands of the Anasazi Valley are threatened by property developers, she decides on the occasion of her marriage to resuscitate a traditional Paiute ceremony, for her family, her friends and her Tribe. She wants to convey to Paiute children, hope, will, and courage to resist.
Fiche info - Shanan, a Paiute Woman
Technical infos:
Directed and filmed by : Sylvie V. Jacquemin
In progress .
This project has received a writing grant from the region Champagne-Ardenne.
More
Website by Shanan on Lavan’s work : http:// www.lavanmartineau.com/
Website on Paiutes: http:// www.utahpaiutes.org/
A Powwow… in France
Documentary project, 52′ and webdoc (in development)
Since 2008, the French provincial city of Ornans has hosted an unusual summer event: Franco-Swiss association 4-Winds invites 50 members from various Native American tribes to hold an authentic Powwow. Beyond the colourful show, the city becomes the place of rich intercultural exchanges and crossed looks on each other with mutual benefits.
Technical infos-A Powwow...in France
Technical infos:
Director : Sylvie V. Jacquemin
Cinematographer: Sylvie V. Jacquemin
Editor: Sylvie Demaine
Producer: Association Plumes et Regards & TBA
Additional Photography: Philippe Granados, Lise Delahaut, Thomas Mansuy (tbc)
State of project : in development
Shooting planned in summer 2018
Looking for North American co-producer and partners !
More - A Powwow...in France
Plumes et Regards (association loi 1901)
Following my encounter with the young Canadian budding filmmaker Damon John Little , I created an association to help young Aboriginal filmmakers :
” Plumes et regards ” is an association whose purpose is writing , directing, production, promotion and distribution of solidarity documentaries (films and multimedia works ) on issues of Native American and indigenous peoples fighting for their existence : cultural preservation , language , and identity , environmental protection, land management , sustainable development, etc. It supports young Native American authors, artists and creators by the development of partnership projects ( crossed viewpoints , inter-cultural projects ) , offering a home to young writers , artists and creators in residence and skills transfer .
The House of Doctor Dieu
Documentary project, 90’/ 52′ (in development)
While in Vietnam many children are born deformed and disabled due to the toxic effects of Agent Orange* (cf synopsis), a retired Vietnamese woman doctor, Dr DIEU, transforms her house into a pilot rehabilitation center, where parents and children find some hope.
Synopsis - The House of Dr Dieu
Every day Doctor Dieu, an 80-year-old Vietnamese physician, welcomes disabled children into her home where they receive individualized care (massages, physiotherapy) to gain mobility and a degree of independence. Ostracized by the Vietnamese society, these children are victims of a war that ended 50 years ago. They display congenital diseases resulting from the effects of the 80 million of litres of Agent Orange sprayed on Vietnam. A wounded veteran herself, Dr. Dieu has witnessed the pain and suffering of children who, to this day, are born with birth defects inherited from their parents and grandparents. The film focuses on Doctor Dieu’s struggle to improve the lives of these children while revealing the intertwined threads of her life, and the continuing impact of the Vietnam War on children.
Agent Orange*: this is the name given to a defoliant used by the US military between 1961 and 1971 to prevent the Vietnamese soldiers hiding in the forests. According to the Vietnam Association for Victims of Agent Orange ( the VAVA ), 4.8 million people were exposed to herbicides that have made 3 million victims including at least 150,000 children . Affected individuals suffer from skin diseases and many cancers of the organs and the nervous, respiratory and circulatory systems . They are now identified in the country .
Project update - The House of Dr Dieu
Video training for the deaf victimes in Nha Trang
Video training for the deaf victimes in Nha Trang (The project is awaiting funding.)
When I visited and filmed the Rehabilitation and Education Center for disabled Children in Nha Trang , Vietnam, the French association for Orange Blossom Hope, I offered to share my knowledge of the video tool with deaf adolescents in this institution. The staff has expressed the wish to be trained as well.